{"id":981,"date":"2021-10-01T14:08:54","date_gmt":"2021-10-01T14:08:54","guid":{"rendered":"http:\/\/layana.begueria.es\/?page_id=981"},"modified":"2021-10-01T17:46:09","modified_gmt":"2021-10-01T17:46:09","slug":"videos-editados-por-mab","status":"publish","type":"page","link":"http:\/\/layana.begueria.es\/?page_id=981","title":{"rendered":"VIDEOS EDITADOS POR MAB"},"content":{"rendered":"\n<div class=\"twitterbutton\" style=\"float: right; padding-left: 5px;\"><a href=\"http:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-count=\"none\" data-text=\"VIDEOS EDITADOS POR MAB\" data-via=\"mabegueriagmail.com\" data-url=\"http:\/\/layana.begueria.es\/?page_id=981\" data-lang=\"en\" data-related=\":Layana, un pueblo de Arag\u00f3n\"><\/a><\/div>\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Se presentan los videos que he ido grabando para distintos fines, incluyendo los did\u00e1cticos dirigidos a mis nietos que quer\u00edan aprender m\u00fasica.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br \/><div class=\"yrc-shell-cover \" data-yrc-uid=\"6adce1e0b8357\" data-yrc-channel=\"{&quot;meta&quot;:{&quot;user&quot;:&quot;Mi m\\u00fasica&quot;,&quot;channel&quot;:&quot;UCYSpPIr6qY0CGb-9rdCqVEQ&quot;,&quot;key&quot;:&quot;yrc_1633110296&quot;,&quot;apikey&quot;:&quot;AIzaSyCtCVDkGaoIu7wcr-QCuM0vPdNIZNKlqCs&quot;,&quot;cache&quot;:&quot;1440&quot;,&quot;channel_uploads&quot;:&quot;UUYSpPIr6qY0CGb-9rdCqVEQ&quot;,&quot;onlyonce&quot;:&quot;&quot;,&quot;tag&quot;:&quot;&quot;,&quot;per_page&quot;:&quot;24&quot;,&quot;maxv&quot;:&quot;500&quot;,&quot;consent&quot;:{&quot;ask&quot;:&quot;&quot;,&quot;url&quot;:&quot;&quot;},&quot;ads&quot;:&quot;1&quot;,&quot;uid&quot;:&quot;6adce1e0b8357&quot;,&quot;nocookie&quot;:&quot;&quot;},&quot;style&quot;:{&quot;colors&quot;:{&quot;item&quot;:{&quot;background&quot;:&quot;inherit&quot;},&quot;button&quot;:{&quot;background&quot;:&quot;#333&quot;,&quot;color&quot;:&quot;#fff&quot;},&quot;color&quot;:{&quot;text&quot;:&quot;#fff&quot;,&quot;link&quot;:&quot;inherit&quot;,&quot;menu&quot;:&quot;#000&quot;,&quot;meta&quot;:&quot;inherit&quot;}},&quot;theme&quot;:{&quot;videos&quot;:{&quot;style&quot;:&quot;__grid&quot;,&quot;thumb&quot;:[&quot;large&quot;,&quot;open&quot;],&quot;desc&quot;:&quot;&quot;,&quot;carousel&quot;:{&quot;thumbs&quot;:&quot;4&quot;,&quot;thumbs_to_slide&quot;:&quot;2&quot;,&quot;spacing&quot;:&quot;8&quot;},&quot;carousel_nav&quot;:{&quot;modifier&quot;:&quot;__sides&quot;,&quot;position&quot;:&quot;left-none&quot;,&quot;location&quot;:&quot;prepend&quot;,&quot;background&quot;:&quot;#fff&quot;,&quot;color&quot;:&quot;#000&quot;,&quot;font_size&quot;:&quot;2&quot;,&quot;border_radius&quot;:&quot;0&quot;}},&quot;a&quot;:&quot;1&quot;},&quot;fit&quot;:&quot;false&quot;,&quot;playlists&quot;:&quot;true&quot;,&quot;uploads&quot;:&quot;true&quot;,&quot;player_mode&quot;:&quot;1&quot;,&quot;truncate&quot;:&quot;1&quot;,&quot;banner&quot;:&quot;true&quot;,&quot;thumb_margin&quot;:&quot;8&quot;,&quot;play_icon&quot;:&quot;&quot;,&quot;youtube_play_icon&quot;:&quot;&quot;,&quot;thumb_image_size&quot;:&quot;medium&quot;,&quot;default_tab&quot;:&quot;uploads&quot;,&quot;sticky&quot;:{&quot;enable&quot;:&quot;&quot;,&quot;width&quot;:&quot;400&quot;,&quot;position&quot;:&quot;bottom-right&quot;,&quot;only_above&quot;:&quot;768&quot;,&quot;margin&quot;:&quot;12&quot;},&quot;player&quot;:{&quot;show_desc&quot;:&quot;&quot;,&quot;show_meta&quot;:&quot;&quot;},&quot;menu&quot;:&quot;1&quot;,&quot;rating_style&quot;:&quot;NaN&quot;,&quot;rtl&quot;:false}}\" data-yrc-setup=\"\"><\/div>\r\n\t\t\t<script data-cfasync=\"false\" type=\"text\/javascript\">\r\n\t\t\t\tif( !window.YRC ) var YRC = {Data:{}};\r\n\t\t\t\tYRC.Data[\"6adce1e0b8357\"] = {\"uploads\":{\"fetched_at\":1792394885,\"nextPageToken\":\"CBgQAA\",\"pageInfo\":{\"totalResults\":43,\"resultsPerPage\":24},\"items\":[{\"kind\":\"youtube#searchResult\",\"id\":\"RDHC9VKA6Og\",\"snippet\":{\"publishedAt\":\"2026-10-04T16:34:15Z\",\"channelId\":\"UCYSpPIr6qY0CGb-9rdCqVEQ\",\"title\":\"Castillos de Espa\\u00f1a.Torija. Federico Moreno Torroba. @MaBegueria\",\"description\":\"Andr\\u00e9s Andr\\u00e9s Segovia (1893-1987) fue, como todo el mundo sabe, un int\\u00e9rprete que sac\\u00f3 a la guitarra de los peque\\u00f1os c\\u00edrculos en los que se mov\\u00eda y la elev\\u00f3 a instrumento solista de concierto de primer nivel. Este es seguramente el m\\u00e9rito que la mayor\\u00eda de la gente atribuir\\u00eda a Segovia pero este m\\u00fasico fue mucho m\\u00e1s que un int\\u00e9rprete y desde luego la guitarra del siglo XX le debe mucho m\\u00e1s que el ser su embajador en teatros de todo el mundo.\\n\\nHoy vamos a destacar su aportaci\\u00f3n al repertorio en los principios del siglo XX. La guitarra hab\\u00eda tenido un momento de esplendor en el siglo XIX con compositores de la talla de Sor (1778-1839), de Aguado (1784-1849) y de otros autores contempor\\u00e1neos. Continuando esta labor, Francisco T\\u00e0rrega (1852-1909) contribuy\\u00f3 notablemente a la creaci\\u00f3n de un repertorio de calidad. Estos autores representan el clasicismo y el romanticismo musical. Pero la guitarra se hab\\u00eda quedado en ese lenguaje decimon\\u00f3nico muy dentro de la tradici\\u00f3n espa\\u00f1ola. No hab\\u00eda evolucionado al siglo XX.\\n\\nAndr\\u00e9s Segovia se encarg\\u00f3 de ensanchar el repertorio de dos maneras: una fue animar a las crecientes adaptaciones para guitarra en las que \\u00e9l mismo particip\\u00f3 de grandes obras cl\\u00e1sicas, sobre todo de la obra de Bach. La segunda aportaci\\u00f3n es m\\u00e1s personal.  Segovia conoci\\u00f3 a grandes compositores, todos admiradores de su arte, y aprovech\\u00f3 precisamente esta circunstancia para pedirles obras para el instrumento en un lenguaje moderno y que saliera de la tradici\\u00f3n espa\\u00f1ola en la permanec\\u00eda anclado para dar al instrumento un aire m\\u00e1s universal. As\\u00ed naci\\u00f3 la obra para guitarra del mexicano Manuel Ponce (1882-1948) o de Castelnuovo Tedesco (1895-1968). Pero entre todos ellos destaca la enorme figura de Heitor Villalobos (1887-1959), compositor brasile\\u00f1o que un\\u00eda a su s\\u00f3lida formaci\\u00f3n cl\\u00e1sica el conocimiento profundo de las m\\u00fasicas brasile\\u00f1as. Cuando escuch\\u00f3 a Segovia en Par\\u00eds se enamor\\u00f3 de las posibilidades expresivas del instrumento y dedicadas a \\u00e9l compuso los Estudios, los Preludios, la Suite y el Concierto con orquesta. Por \\u00faltimo, y esto nos deja ya en el tema de nuestro video, destacamos su amistad con el compositor de zarzuela y teatro Federico Moreno Torroba (1891-1982) que proporcion\\u00f3 a la guitarra un buen pu\\u00f1ado de obras que figuran en los repertorios de todos los guitarristas del mundo como la Suite Castellana, la Sonatina o la colecci\\u00f3n de piezas Castillos de Espa\\u00f1a que fue completando a lo largo de los a\\u00f1os. Uno de estos castillos, el de Torija y es el que da t\\u00edtulo a la obra que voy a interpretar a continuaci\\u00f3n. Se trata de una pieza con una melod\\u00eda rom\\u00e1ntica y caballeresca vestida de armon\\u00edas modales a las que era tan aficionado su autor.\",\"thumbnails\":{\"default\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/RDHC9VKA6Og\\\/default.jpg\",\"width\":120,\"height\":90},\"medium\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/RDHC9VKA6Og\\\/mqdefault.jpg\",\"width\":320,\"height\":180},\"high\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/RDHC9VKA6Og\\\/hqdefault.jpg\",\"width\":480,\"height\":360},\"standard\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/RDHC9VKA6Og\\\/sddefault.jpg\",\"width\":640,\"height\":480},\"maxres\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/RDHC9VKA6Og\\\/maxresdefault.jpg\",\"width\":1280,\"height\":720}},\"channelTitle\":\"Miguel A. 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No era guitarrista pero su obra para guitarra es abundante y de mucho valor. \\u00bfC\\u00f3mo fue posible? \\u00c9l, como otros muchos compositores conocieron un d\\u00eda  al gran Andr\\u00e9s Segovia quien les invit\\u00f3 a componer para la guitarra tan necesitada de ampliar su repertorio. Su amistad continuada en el tiempo dio la oportunidad de alentar la composici\\u00f3n de una obra amplia que figura en los programas de guitarristas actuales. 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Las fotograf\\u00edas del monumento al autor y de la Iglesia de Santo Tom\\u00e1s en Leipzig son propiedad del autor de este video.\",\"thumbnails\":{\"default\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/default.jpg\",\"width\":120,\"height\":90},\"medium\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/mqdefault.jpg\",\"width\":320,\"height\":180},\"high\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/hqdefault.jpg\",\"width\":480,\"height\":360},\"standard\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/sddefault.jpg\",\"width\":640,\"height\":480},\"maxres\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/maxresdefault.jpg\",\"width\":1280,\"height\":720},\"fhd\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/B6TK1ClPjeQ\\\/fhddefault.jpg\",\"width\":1920,\"height\":1080}},\"channelTitle\":\"Miguel A. 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Estas obras que pudieron tener un origen pedag\\u00f3gico porque servir\\u00edan para la formaci\\u00f3n de los instrumentistas han devenido en monumentos de valor absoluto no solo de la m\\u00fasica barroca sino de la m\\u00fasica universal. Escritos a una voz, el gran contrapuntista que es su autor nos conduce a una audici\\u00f3n en la que tenemos que poner de nuestra parte las voces que no est\\u00e1n presentes pero est\\u00e1n sugeridas. Toda esta gran obra est\\u00e1 transcrita para guitarra que al ser instrumento polif\\u00f3nico permite la incorporaci\\u00f3n de voces que no est\\u00e1n en el original. La transcripci\\u00f3n de esta pieza se debe a Staffan Isb\\u00e4ck.\",\"thumbnails\":{\"default\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/default.jpg\",\"width\":120,\"height\":90},\"medium\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/mqdefault.jpg\",\"width\":320,\"height\":180},\"high\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/hqdefault.jpg\",\"width\":480,\"height\":360},\"standard\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/sddefault.jpg\",\"width\":640,\"height\":480},\"maxres\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/maxresdefault.jpg\",\"width\":1280,\"height\":720},\"uhd\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/Ga1KeOGi3JE\\\/uhddefault.jpg\",\"width\":3840,\"height\":2160}},\"channelTitle\":\"Miguel A. 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La suite n\\u00famero 1 consta de cuatro danzas que alternan tiempos r\\u00e1pidos con otros lentos como \\nes el caso de todas las suites y partitas pero lo curioso de esta primera es que cada movimiento tiene a su vez un \\\"double\\\" que es como una variaci\\u00f3n de la danza precedente. As\\u00ed la Double que presentamos arreglada para guitarra pertenece a una de estas variaciones.\",\"thumbnails\":{\"default\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/default.jpg\",\"width\":120,\"height\":90},\"medium\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/mqdefault.jpg\",\"width\":320,\"height\":180},\"high\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/hqdefault.jpg\",\"width\":480,\"height\":360},\"standard\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/sddefault.jpg\",\"width\":640,\"height\":480},\"maxres\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/maxresdefault.jpg\",\"width\":1280,\"height\":720},\"fhd\":{\"url\":\"https:\\\/\\\/i.ytimg.com\\\/vi\\\/X2DJEZbe5EA\\\/fhddefault.jpg\",\"width\":1920,\"height\":1080}},\"channelTitle\":\"Miguel A. 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